People is the most profitable U.S. magazine and had an excellent, +5.6% ad-page advertising 2010, so it was appropriate that the magazine did very well at min’s seventh “Sales Executive of the Year” awards breakfast Thursday morning (June 2) at New York’s Grand Hyatt. Karen Kovacs, who was promoted to People publisher in December 2010, was selected “Sales Team Leader of the Year” for a single brand. Same honor went to Karin Tracy, publisher of spinoff People StyleWatch, who produced a +49.7% ad-page 2010, while Daniel Riley, group ad director for the People-flagshipped Time Inc. Style & Entertainment Group won for “Sales Team Leader”/multiple brands. Plus, People/Entertainment Weekly executive beauty director Evan Chodos was the “Salesperson of the Year”/multiple titles recipient.Also in the Time Inc. “family” was InStyle associate publisher Timothy O’Connor’s win for “Salesperson of the Year”/single title-500,000 circulation and above.For the remaining winners and the 10 executives inducted into the min Sales Executive Hall of Fame, click here.
High Times has announced that it’s appointing David Kohl, a digital media veteran who helped launch the digital music video service Vevo, as its new chief executive. Kohl served most recently as a strategic adviser to Microsoft and NBCUniversal and was previously an executive at Nokia, Viacom and Vivendi’s Universal Music Group. Time Out Group has announced the appointment of Julio Bruno as executive chairman of Time Out Group and Noel Penzer’s promotion to CEO of the Group. Their appointments come as Time Out looks to capitalize on its momentum as the company has grown and expanded to 107 cities across 38 countries with an audience of nearly 40 million per month across multiple platforms. Quentin Walz has joined Fast Company as chief revenue officer and chief development officer. He replaces Christine Osekoski. Andy Hart has been appointed senior vice president, chief revenue officer of Hearst Magazines International, a newly created role. From 2002 to 2008, Hart was CEO of the digital division of DMGT (Daily Mail and General Trust plc). Previously, he was CEO of Diageo Plc’s Translucis. Stephen Pope has been named editor-in-chief of Flying. Over the past five years, he’s instilled his writing skills in Flying as senior editor. Here are the rest of this week’s people on the move: Penzer joined Time Out as managing director Europe in April 2015 from AOL where he oversaw all AOL properties in Europe, including Huffington Post and TechCrunch. He was later promoted to the position of president of the Time Out Group. XO Group Inc., a consumer internet and media company devoted to “weddings, pregnancy and everything in between,” has announced that Brent Tworetzky is joining the company as executive vice president, product. Tworetzky’s product and business leadership includes Udacity, Chegg and WebMD, among others. Bruno was global vice president of sales at TripAdvisor leading the global expansion of Business Listings; and previously held senior executive roles at Travelport, Regus and Diageo. Stephanie Miller has been named account executive and social media manager at MP&A Digital & Advertising. She had been communications coordinator at Walt Disney World Resort.
“For years now we’ve been complaining about the state of the music industry and how it has been held back by old ways of thinking, negatively impacting music makers–a major pain point being that we are the first to put in any of the work, and the last to see any financial reward or even payment,” explains Heap. “Through Mycelia and its ‘Creative Passport,’ as music makers we now have no excuse but to put our best foot forward and become open for business, decentralising the ecosystem so that it will ultimately benefit everyone. I am excited to be going on the road to bring this to life, in addition to showcasing other new technologies which will add to transforming the music industry into a fair, flourishing and vibrant place”.Heap released her debut album, iMegaphone, back in 1998 and has spent the past two decades surprising her fans with her classically trained yet wildly innovative interpolations of pop music. While her work has always pushed the boundaries between music and visual media, her sounds reached her widest audience yet as a producer on Taylor Swift’s GRAMMY-winning album 1989, which earned Heap her second career GRAMMY Award.Tickets for Heap’s North American dates of her Mycelia World Tour go on-sale to the general public on Friday, Dec. 14 at 10:00 a.m. For full details, visit her website.Imogen Heap’s Life Of A Song Project Shows Who Gets PaidRead more Facebook https://twitter.com/imogenheap/status/1072130478608658433 Email Imogen Heap Launches Innovative New Project & Tour inside-imogen-heaps-interactive-creative-passport-project-mycelia-world-tour News The GRAMMY-winning artist and tech innovator brings together live concerts, interactive workshops and tech talks to nine cities across North AmericaNate HertweckGRAMMYs Dec 10, 2018 – 5:16 pm Fans of multi-instrumentalist songwriter/producer and multi-media artist Imogen Heap have learned to expect the unexpected from their hero. Never one to disappoint creatively, Heap’s latest endeavor is also one of her most ambitious.The GRAMMY winner has announced a nine-city North American leg of her Mycelia World Tour, complete with the launch of a new project, ‘Creative Passport,’ which integrates concerts, workshops and discussions to push the typical limits of what a live tour can mean.The continuation of her Mycelia World Tour follows successful stints across Europe during 2018 and will make stops in major U.S. cities between April and June 2019, including Miami, New York, Chicago, Toronto, Seattle and San Francisco. The tour is named after Heap’s research and development hub aimed at cultivating a fairer payment system for artists by establishing a music maker database.Billed in a statement from Heap as “promoting a fair and flourishing future for the Music Industry,” her ‘Creative Passport’ project is geared toward, “realising a vision of the future which sees music makers connected through a verified and decentralised ecosystem, promoting artist-led, fair and sustainable operating practices.”The slate of events for each tour stop includes some or all of several elements, including solo concerts from Heap as well as reunited duo appearances with Guy Sigsworth as electronic duo Frou Frou for the first time since 2003.’Creative Passport’ also offers workshops with local music makers, technologists and industry influencers, workshops for families where children will get to build and code their own MIni.MU gloves (Heap’s proprietary electronic instrument of the future) and talks given by Heap on “technologies which are positively shaping the future of the music ecosystem, building better business and audience relations with music makers.” Twitter Inside Imogen Heap’s Interactive ‘Creative Passport’ Project & Mycelia World Tour
Share your voice Aug 31 • iPhone XR vs. iPhone 8 Plus: Which iPhone should you buy? More about 2019 BMW Z4 sDrive30i Roadster 2020 Hyundai Palisade review: Posh enough to make Genesis jealous Aug 31 • iPhone 11, Apple Watch 5 and more: The final rumors 2020 Toyota Supra is a divisive devil in red Auto Tech See All Preview • 2019 BMW Z4: Reinvigorating the roadster Apple 2020 Toyota Supra review: A solid sports car that’s rife with controversy BMW Aug 31 • Your phone screen is gross. Here’s how to clean it Enlarge ImageIf you’re feeling left out, you can always park your car in a Faraday cage. That should provide about the same experience. BMW When it was rumored that BMW would be moving to an annual subscription for Apple CarPlay, we called it “next-level gouging.” It’s not a move anyone really appreciates, but now, an unforeseen connection between various services reportedly left some BMW owners without CarPlay for a spell, which is even more frustrating.A problem with BMW’s ConnectedDrive online services caused some owners to lose Apple CarPlay functionality for a brief period of time. Without the service online to confirm the car’s subscription, owners last week found themselves missing the smartphone-mirroring system that they paid cold, hard cash for, Engadget reported Friday.By the end of last week, Engadget says, most users had seen the functionality return as ConnectedDrive’s services came back online. In the US, a BMW spokesperson told Engadget that a server migration was to blame, but it was working to get everything back up and running as quickly as possible. BMW first announced its decision in January. It was the first automaker to take Apple CarPlay and shift it from a one-time $300 purchase to an annual $80 subscription. BMW said this move added flexibility, so iPhone-toting owners won’t feel like they lost $300 if they later upgrade to an Android phone. This is, of course, a silly premise, and if anything, it feels like an excuse for BMW to bilk used-car buyers for $80 a year in the future. Nevertheless, it’s uncharted territory for Apple CarPlay, although Motor1 reported that Toyota may follow a similar strategy with the 2020 Supra, which shares its underpinnings (and telematics) with the BMW Z4. Hopefully, future ConnectedDrive outages won’t leave Supra drivers out in the cold, although the real hope should be that both automakers will ditch this idea and get back to charging one-time fees that represent pennies on the dollar compared with the car’s window sticker. 2020 BMW M340i review: A dash of M makes everything better Aug 31 • Best places to sell your used electronics in 2019 reading • BMW ConnectedDrive issues caused Apple CarPlay to disappear for some owners • 2 Comments Tags More From Roadshow 52 Photos BMW Apple